Imu: In-ground cooking

30 05 2008

Imu

Throughout Polynesia, Melanesia, and Micronesia, traditional underground ovens have been utilized to cook and steam food. The Hawaiians use an imu to steam whole pigs, breadfruit, bananas, sweet potatoes, taro, chicken, and fish. The imu is essentially an underground pressure cooker created by digging into the earth as compactly as possible with room for the rocks, leaves, fuel and food. Due to the amount of time and labor to prepare the imu this method of cooking is done primarily for large luaus.





Hawaiian Sayings to Cherish and Remember

22 05 2008

Olu Olu Mai OePlease be kind.

HE MANU KE ALOHA, ‘AOHE LALA KAU ‘OLE.
Love is like a bird, there is no branch
it does not perch upon.

I HO’OKAHI KAHI KE ALOHA.
Be one in love.

`A`ohe lokomaika`i i nele i ke pâna`i. No kind deed has ever lacked its reward.

aloha aku, aloha mai give love, get love





Hawaiian Birds: `Io

17 05 2008

Hawaiian Birds

Because the islands are more than 2000 miles from North America or Asia there are some amazing birds in Hawaii. It has been said that the absence of predators and minimal competition allowed them to evolve in peace. It has been estimated that there were at one time are least seventy kinds of birds that were unique to Hawaii. Of these some forty percent are already lost to extinction and some thirty percent more that are considered endangered.

Hawaiian Birds: `Io

`Io (Buteo soliarius) is sometimes referred to as the Hawaiian Hawk.

In the Kona region of the Big Island of Hawai‘i, the bulk of Mauna Loa blocks the prevailing trade winds leaving the air quite calm. The daily cycle of gentle convectional breezes moves up and down the gentle slopes, bringing the warm, humid climate. The Hawaiian saying “kaha ka ‘io i ka malie” translates as “the hawk stands out in the calm skies,” and is used to express admiration for a person who stands out in a crowd because of his or her appearance or charisma.

This graceful bird of prey measures 16 to 18 inches in length, the female being larger. Two color phases exist: a dark phase (dark brown head, breast, and underwings), and a light color phase (dark head, light breast and light underwings). Feet and legs are yellowish in adults and greenish in juveniles.

February through August is their breeding season, with pairs having their own schedule that may be dependent on locality. Nests are constructed of twigs and lined with leafy material. Eggs are similar in size and shaped to a chicken egg, light blue in color and either speckled or streaked with brown or reddish brown. The clutch size is normally one egg, and should the egg be lost within a few days of laying, a second clutch is laid within three weeks. Pair bonding appears to be permanent, and a pair uses the same nesting site in succeeding years.

also called the Hawaiian Hawk

The `Io usually hunts from a stationary position, but can also dive on prey from the air. It feeds on rodents, insects, small birds, and some game birds. They are opportunistic predators and are versatile in their feeding habits. They have a shrill and high-pitched call much like their Hawaiian name: “eeeh-oh.” They are known to be very noisy during the breading season. `Io are strong fliers.

In the forests of Kapu‘a in South Kona, ‘io still build their nests in strong ‘öhi‘a trees, calling out their persistence for all to hear. They have a shrill high-pitched call like their Hawaiian name: “eeeh-oh.” They are noisy during the breeding season. ‘Io are very strong fliers.





Ancient Hawaiian Villages

11 05 2008

A traditional village of ancient Hawaiʻi included several structures. Listed in order of importance:

Heiau, temple to the gods, built on high-rising stone terraces. Sometimes adorned with wood and stone carved idols. A source of great mana or divine power, the heiau was restricted to aliʻi, the king and kahuna.

Kealakekua Bay Heiau

Hale aliʻi, the house of the chief. It was used as a residence for the high chief and meeting house of the lesser chiefs. It was always built on a raised stone foundation to represent high social standing. Kahili, or feather standards, were placed outside to signify royalty. Women and children were banned from entering.

Hale pahu, the house of the sacred hula instruments. It held the pahu drums. It was treated as a religious space as hula was a religious activity in honor of the goddess Laka.

Hale papaʻa, the house of royal storage. It was built to store royal implements including fabrics, prized nets and lines, clubs, spears and other weapons.

Hale ulana, the house of the weaver. It was the house where craftswomen would gather each day to manufacture the village baskets, fans, mats and other implements from dried pandanus leaves called lauhala.

Hale mua, the men’s eating house. It was considered a sacred place because it was used to carve stone idols of ʻaumakua or ancestral gods. Men and women could not eat with each other for fear that men were vulnerable while eating to have their mana, or divine spirit, stolen by women. Women ate at their own separate eating house called the hale ʻaina.

Hale waʻa, the house of the canoe. It was built along the beaches as a shelter for their fishing vessels. Hawaiians also stored koa or mahogany logs used to craft the canoes.

Hale lawaiʻa, the house of fishing. It was built along the beaches as a shelter for their fishing nets and lines. Nets and lines were made by a tough rope fashioned from woven coconut husks. Fish hooks were made of human, pig or dog bone. Implements found in the hale lawaiʻa were some of the most prized possessions of the entire village.

Hale noho, the living house. It was built as sleeping and living quarters for the Hawaiian family unit.

Imu, the communal earth oven. Dug in the ground, it was used to cook the entire village’s food including puaʻa or pork. Only men cooked using the imu.





Hawaiian Quilting: a Colorful Art Form

7 05 2008

Missionaries taught quilting to the women of Hawaii who transformed it into a uniquely Hawaiian art form. The mild weather allowed far more time for details appliqué and quilting. Since one was not dependent on the quilt for warmth quilting was seen more as a leisurely activity that can be a good thing because it takes many months of hand stitching to complete.

Quilt motifs are drawn from forms of favorite plants. Hawaiian quilts typically have a central appliquéd motif and the stitch pattern often echo that design. The pattern of quilting is often likened to the imprint left by a patterned beater on Hawaiian kapa.





Birds of Hawaii: `Apapane

4 05 2008

photograph by Peter LaTourrette

Hawaiian Birds

Because the islands are more than 2000 miles from North America or Asia there are some amazing birds in Hawaii. It has been said that the absence of predators and minimal competition allowed them to evolve in peace. It has been estimated that there were at one time are least seventy kinds of birds that were unique to Hawaii. Of these some forty percent are already lost to extinction and some thirty percent more that are considered endangered.

`Apapane (Himatione sanguinea) from the finch family, are considered a Hawaii Songbird. They have at least ten distinctive songs and six different calls. They foraging actively through tree tops of Ohia lehua, consuming the nectar from each flower as they pollinate them. The `Apapane will be aggressive with any bird that dares to drink from its flowers—even larger birds. They forage primarily in the upper canopy and only rarely feed from the ground. It also frequents flowering koa and mamane and has been observed feeding in pines and flowering eucalyptus. They also are known to snack on insects such as spiders and caterpillars.

5 inches. Both sexes look similar. The bodies are crimson red with a white abdomen and under tail coverts. The wings, tail, and legs are black. The bill is short, black, and slightly curved. Juveniles are similar to adults except are a grayish-brown color. Their wings produce a distinct whirring sound in flight.

Their nests are made from twigs, moss, ferns, rootlets, and lichens. They have 2-4 eggs that are white with reddish markings, there is a two week incubation period.

In early Polynesia, red feathers were most valued, as red was a sacred royal color. Feathers were plucked from the `Apapane birds and used in royal ‘ahu ‘ula-cloaks sometimes made from millions of the red and yellow feathers of small forest birds. They strode into battle wearing crested helmets, velvety with the scarlet feathers of the ‘i‘iwi and ‘apapane birds.








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